a condition for getting a residence permit (non-EU students). Codarts strongly recommends students to arrange a good and complete insurance with AON ( Home | Aon Student Insurance ). Please check what
be taken into consideration in the judgement Upon admission to Codarts (voice) you will be asked to take a voice test, to make sure that your vocal chords are healthy and up to the task, and that you
Growth Ability to Articulate Goals & Perspectives Awareness of the Codarts Learning environment
More Open submenu Close submenu Voice The main subject Voice at Codarts Pop provides a personalised education experience to students who want to establish a career in pop music. Focusing on both the
Students from all year groups will perform a diverse repertoire, including works by acclaimed choreographers: Neel Verdoorn, Rutkay Özpinar, Thomas van der Linden, Anouk Sergo, Nnamdi Nwagwu, and Vladyslav Detiuchenko. The program also highlights original pieces created by the students themselves. Performance Times: Friday & Saturday: 20:15 Saturday Matinee: 14:00
In the performance ‘Own Work’, dance students present their own creations from the past season. Meet the performers, co-creators, and choreographers of the future: young professionals with a distinct artistic voice. A diverse evening for connoisseurs and newcomers alike. Tickets
You can find more information and tickets here .
The programme connects Clara Schumann, Shostakovich and Debussy in a powerful and expressive musical journey. The strings take centre stage, with a special collaboration with harp in Debussy’s celebrated work. Programme Claude Debussy – Danse sacrée et danse profane (with harp) Clara Schumann – Romance No. 2 (Allegretto: Mit zarten Vortrage), arr. for string orchestra Dmitri Shostakovich – Chamber Symphony for Strings in C minor, op. 110a
In the Martha Graham project, most of the music is symphonic, including a monographic by Carl Nielsen. Thus, the students will also have the opportunity to work on and dig in a Scandinavian monographic with Sibelius and Nielsen, as well as a selection of pieces from the Martha Graham repertoire. Find tickets for the lunch concert here . Performance: 16th April, Grote Zaal Royal Concertgebouw (Amsterdam) Programme: C. Nielsen Helios Overture op. 17 (10’) 3.2.2.2 - 4.3.3.1 - timp + str C. Nielsen Pan & Syrinx opp. 49 2.2.2.2 (9’) 4.2.0.0 - timp + 4 - str J. Sibelius Symphony no 7 in C major (22’) 2.2.2.2. - 4.3.3.0 - timp - str
Biography: Jamie was born in London. After reading Music at Clare College, Cambridge he continued his studies in Vienna, London and Madrid. He divides his time evenly between his work as Principal 2nd Violin of Aurora Orchestra, as a guest leader and principal of other orchestras, and as a chamber musician. In 2004 he founded the Solstice Quartet, in which he was 1st violin, and who played together until 2013. The quartet won the Royal Overseas League Ensemble Prize in 2009 and gave their debut at the Wigmore Hall debut in the same year. He is now regularly invited to perform at chamber music festivals including Cervo- Italy, Whittington, ‘New Paths’- Beverley, Highgate and Aberystwyth. Jamie has appeared as leader with the London Sinfonietta, City of London Sinfonia, English Chamber Orchestra, London Contemporary Orchestra, The Dmitri Ensemble, Nevil Holt Opera and St Endellion Festival Orchestra. Highlights of 2016 included BBC Proms performances with Aurora, with Cercle de l’Harmonie and with Multi-Story Orchestra, tours to Switzerland, France, Spain, and Germany and a return to Southwell Music Festival where he is Associate Artistic Director. In July he premiered a new concerto ‘The Fallen Elm’ written for him by Graham Ross. He has also premiered works by composers including Sir Harrison Birtwistle, Sebastian Currier, Giles Swayne, Joseph Philbbs, Richard Blackford, Kim Ashton and John Metcalf. Jamie also performs on period instruments and this year toured with ‘Arcangelo’, ‘Solomon’s Knot’ and the French-based orchestra ‘Cercle de l’Harmonie’. Jamie plays a violin made by Stefan-Peter Greiner. Program: Orawa by M. Kilar (1986) Serenade for Strings by P. I. Tchaikovsky (1880) Length: 45 min approx.
