Iris, the stipend came as a complete surprise. She will use the money for various workshops and courses so that she can further fill her toolbox. She likes to develop broadly. Everything she learns has
alertness to social safety. The universities of the arts are paying constant attention to this. Of course, the didactic approach of demolishing and rebuilding the art student, as was done in the past by
to a performance coach, a hearing specialist, and human movement scientists. Stephanie: ‘Plus of course our specialised teachers such as Pilates and yoga teachers or power training coaches. And there is [...] albeit on one condition: the money has to be invested in education. Stephanie: ‘We never pause and of course there is always room for improvement. We used an earlier recognition as “excellent programme” to
and try out things without the large mirrors of the dance studio. The lack of space is an issue of course, when you want to do a solo on a few square metres. It is a huge adjustment to then be able to make
group of 26 fellow students. ‘We don’t begrudge each other anything and we openly discuss things. Of course, it happens all the time that someone else is picked for a part. You must have enough self-confidence
another. Knowledge about diversity and inclusion provides insight into aspects of social safety. Of course, the organisation must also have structures in place within which any undesirable experiences can
year the entire band went to Teja’s native country, and the plan is to repeat that this year. Of course, in Slovenia the musicians also try to arrange a couple of gigs. On the right track The Erasmus Jazz
