The concert marks the culmination of an intensive week of creation and rehearsal, developed in the shared space of Culture and Campus Rotterdam, where students worked in close proximity to the Putselaan neighbourhood before bringing the project to Fenix. Across oceans and generations, rhythm and voice have travelled with people, carried in song, memory and the body. As music moves, it expands: patterns evolve, melodies adapt, and new forms emerge through encounter. During this hour-long performance, three ensembles will give distinct yet connected performances, reflecting how sound develops through
The talents play in the orchestra and are accompanied by conductors and other musicians. They also take part in education and chamber music projects. The aim of the orchestra academy is to prepare the talents and give them experience in orchestral practice. Tuba student Yanyi Zeng (student of Hendrik Jan Renes) has been accepted at the Academy for season 2024-2025.
Stephanie is very passionate and devoted to improve the physical and mental health of our students. Over the past ten years she has changed the health policy from reactive to pro-active. By creating the Team Around The Artist approach and health programmes for all departments, she tries to educate our students to maximise their potential and prepare them for a healthy and sustainable career. The winner of this prestigious award will be announced at the IADMS annual conference on October 23rd. For more information about the award and the other nominees, take a look at the website of the IADMS:
David Lauwen, President of the Executive Board, explains: “To strengthen our education and create space for innovation, educational expertise and collaboration, it’s essential that we organise Codarts in a different way.” The changes are driven by the challenges Codarts is currently facing. Expenses are exceeding income and cuts in higher education funding are expected, which could put additional pressure on the university’s financial position. Moreover, the needs of students, the professional field and society are evolving rapidly. To achieve financial health and adapt more quickly to these
This time, the central focus was on fanfare Wilhelmina from Numansdorp. This orchestra, which has produced several professional musicians, worked with students from the brass, saxophone, and percussion departments in the morning. They gave workshops that covered both technical skills and musical expression. In this way, participants discovered a new approach to rehearsing and playing together. After the workshops, a presentation concert took place at 12:30. The brass ensemble opened with a performance, followed by a concert of the saxophone class. Next, the 45-piece fanfare took over, performing
Since 2019 he has been Principal Guest of the Residentie Orkest and Artistic Partner of the St Paul Chamber. He was Music Director (now Emeritus) of the Philharmonia Baroque 2020-2024, Music Director of the Academy of Ancient Music 2005-2020, and Associate Artist with the Scottish Chamber 2011-2017. He straddles the worlds of historically-informed and modern symphonic performance and has conducted many leading symphony orchestras, notably the London Symphony, Royal Concertgebouw and Philadelphia orchestras. He made his Glyndebourne debut in 2007 and conducted opera cycles of Monteverdi, Purcell
Program: E6D7: Edoardo Caleffi (16’) Grasshopper: Weronika Ast (9’) Issues with my other half: Panagiotis Tsamouras (6’) La noirceur souterraine des racines: Javier Rodriguez Garcia (10’) Lotus eyed girl: Celeste Wright (6’) Flower rain: Agamemnon Maziotis-Vasileiou (8’) Ingresso Animali: All 6 students (15’) Length: 120 min
