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Artistic Research
Artistic research is a central element of the Codarts Master of Music programme. Through practice-based research you explore questions that arise from your own artistic practice as a musician, composer, or conductor.
Working closely with research coaches and fellow students, you develop a research project that deepens your artistic understanding and strengthens your professional practice. Throughout the programme you present your progress in feedback sessions and share the artistic outcomes of your research in performances, recordings, or compositions.
Students also participate in a range of research clinics focusing on specific topics such as methodology, documentation, and artistic experimentation.
Each year the programme culminates in Research on Stage, an event where selected second-year students present the artistic outcomes of their research through live performances and discussions.
The Artistic Research team and research domains
Our research coaches are both experienced researchers and active performers. They guide students within several artistic research domains, while also working together as a team to support each student’s project.
Performance Practice
Coaches: Bárbara Varassi Pega, Federico Mosquera , Aleksandra Tonelli, Kevin Skelton, Andrew Wright
Research in this domain focuses on musical interpretation, performance style, and the artistic decisions involved in bringing music to life. Projects often explore specific repertoire, performance traditions, or new approaches to interpretation.
Composition | Arranging | Screen scoring
Coach: Federico Mosquera
This domain focuses on the creative process in composition, arranging, and music for media. Research explores compositional strategies, creative workflows, and the interaction between musical ideas and technology.
Global Musics
Coaches: Michalis Cholevas, Stephen Meyer
Research in this domain engages with musical traditions from around the world, including modal traditions and intercultural musical practices. Students explore how these traditions can enrich their artistic vocabulary and inspire new creative directions.
Jazz Improvisation,
Coaches: Marc van Roon, Sanne Verbogt
This domain focuses on expanding the artistic language of improvising musicians. Research often explores new approaches to improvisation, composition, and ensemble interaction.
Pop Music
Coaches: Marc van Roon, Sanne Verbogt
This domain focuses on research into creative practices within contemporary popular music. Students investigate topics related to songwriting, music production, vocal and instrumental performance, and recording practices. Research projects explore how artistic, technical, and collaborative processes shape musical identity and professional practice within the pop music industry.
Vocal leadership
Coach: Job ter Haar
This domain explores Vocal Leadership, a method of choir leading that encourages singers to take an active role in the musical process. Research investigates how this approach can shape rehearsal methods, collaboration, and artistic outcomes.
Artistic Research catalogue
Below you will find best practises in Artistic Research of our Master of Music graduates.
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Global Musics / Crossover
Marc Gómez Masdeu
Afro Cuban drumming: the drummers of Chucho Valdes (2022)
https://www.researchcatalogue.net/profile/show-exposition?exposition=3014636
Jan Wouter Oostenrijk
Mastering the art of taqsim solo improvisation on quarter tone and fretless guitar in the maqam tradition (2021)
https://www.researchcatalogue.net/profile/show-exposition?exposition=1440596
Meric Çalişan
Turkish Makam influences in jazz improvisation (2020)
https://www.researchcatalogue.net/profile/show-exposition?exposition=926083
Kaspar Uljas
Accompaniment on bandoneon (2018)
https://www.researchcatalogue.net/profile/show-exposition?exposition=551378
Elena Kopteva
The cello in tango as a solo instrument (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=412274
Vera Naus
The Creation of the „Naus-Mouth“: Incorporating North Indian
rhythm in Vocal Jazz (2017)https://www.researchcatalogue.net/profile/show-exposition?exposition=412559
Danai Loukidi
Developing phrasing and ornamentation in Taksim based on Makam Ussak and Hicaz(2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=381144
Julie Rokseth
The harp: No tango tourist | Creating an authentic tango harp voice (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=381829
Andreas Rokseth
Fusing Irish folk music and Argentinian tango on bandoneon and harp (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=381707
Stephen Meyer
The solo violin in Astor Piazzolla’s tango: a comparative study (2016)
https://www.researchcatalogue.net/profile/show-exposition?exposition=308362Michalis Kouloumis
Taksim development and violin techniques based on taksims and compositions of Haydar Tatliyay and Nubar Tekyay (2013)
https://www.researchcatalogue.net/profile/show-exposition?exposition=306037Pablo Rodriguez Gonzalez
The art of chopping (2016)
https://www.researchcatalogue.net/profile/show-exposition?exposition=412175
Yves Popow
Adapting the marimba into Astor Piazzolla’s music (2015)
https://www.researchcatalogue.net/profile/show-exposition?exposition=271640Ioannis Rizopoulos
Translation of Middle-Eastern & Balkan rhythms and meters in my set up, consisting of darbuka, cajon, bendir attached to full drum-set (2015)
https://www.researchcatalogue.net/profile/show-exposition?exposition=278394 -
Performance Practice
Ettore Cauvin
Unveiling the folk dance identity of Carl Nielsen’s Clarinet Concerto Opus 57: a Fynske modernist storytelling (2021)
https://www.researchcatalogue.net/profile/show-exposition?exposition=1764076
Felipe Devincenzi
From the pit to the stage: a comparative approach to solo bass playing (2020)
https://www.researchcatalogue.net/view/1029878/1029879
Sophie Elisabeth Ehling
Learning from a vocal approach on music (2020)
https://www.researchcatalogue.net/profile/show-exposition?exposition=1100257
Inés de Juan Periago
The new era of the cello: Domenico Gabrielli (2018)
https://www.researchcatalogue.net/profile/show-exposition?exposition=550506
Julia Mora Garcia
My personal approach to Scriabin’s piano music: Sonata op. 23 nr. 3 (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=381022
Emilio Saura
Arranging and performing Flamenco music for marimba (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=381004
Maxime le Minter
The practice guide for the Sequenza VII (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=380007
Ella van der Mespel
Discovering improvisation tools in Jazz (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=379942
Sara Balasch Lozano
Body movement awareness as a path to expression in violin playing (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=381070
Virginia del Cura Miranda
The search for passion: Arpeggione sonata analysis through vocal, modern cello and arpeggione (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=381302
Allison Stringer
Discovering the national idiom in Alexander Campbell Mackenzie’s Pibroch Suite: A Performance Guide (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=380722
Alvaro Manuel Hernandez Vela
Interpretation of Monolog for bass clarinet by Isang Yun considering the influences of Korean tradition (2016)
https://www.researchcatalogue.net/profile/show-exposition?exposition=325686
Maria Bykova
Shostakovich’s Atmosphere in his first Violin Concerto, op. 77/99 - 1947/1948 (2016)
https://www.researchcatalogue.net/profile/show-exposition?exposition=334499
Marta Fitzsimmons Carnero
My personal interpretation of "In Freundschaft" by K. Stockhausen (2016)
https://www.researchcatalogue.net/profile/show-exposition?exposition=334791
Ingeborg Skomedal Torvanger
Dancing Cello Suites (2016)
https://www.researchcatalogue.net/profile/show-exposition?exposition=412075
Anna Karpenko
Peeter Süda - a way to the ‘heart’ of Estonia through Germany (2015)
https://www.researchcatalogue.net/profile/show-exposition?exposition=277374Mikaela Gronberg
The French cello bowing style from around 1900 (2015) https://www.researchcatalogue.net/profile/show-exposition?exposition=277464
Ivan Nogueira Martinez
Friedrich Grützmacher editions and transcriptions for cello (2015)
https://www.researchcatalogue.net/profile/show-exposition?exposition=278464Julien Moussiegt
A historical approach to contemporary music interpretation (2014)
https://www.researchcatalogue.net/profile/show-exposition?exposition=336349
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Creative Performer
David Vaamonde López
Create the Present, Recreate the Past (2024)
https://www.researchcatalogue.net/profile/show-exposition?exposition=2792485
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Pop Music
Cristian-Stefan Prajescu
Implementing Modern Production Techniques in a Live Music Context (2021)
https://www.researchcatalogue.net/profile/show-exposition?exposition=1494305
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Improvisation
Beatrice Milanese
The music of speech: exploring the spoken voice as an artistic tool for composition
and improvisation (2021)
https://www.researchcatalogue.net/profile/show-exposition?exposition=1506928
Alkistis Lampropoulou
Combining Greek folk with modal jazz improvisation (2020)
https://www.researchcatalogue.net/profile/show-exposition?exposition=925681
Juanga Lakunza
The Afro-Cuban Drum Rhythms: Origin, selection, analysis and development of drum patterns applied to jazz trombone (2014)
https://www.researchcatalogue.net/profile/show-exposition?exposition=277195Adam Taylor
Expanding the role of the jazz guitar: How can lower-set fifths tuning and two-hand touch technique be utilised in order to achieve greater independence in producing multiple voices using the entire range of the guitar (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=400465
Albert Kerekes
Developing new sonic landscapes for improvisation and composition by extended techniques for saxophone such as overtones, timbal fingerings and multiphonics (2017)
https://www.researchcatalogue.net/profile/show-exposition?exposition=382135
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Composition & Arranging
Sofia Bardoutsou
Composing Non-Linearity in Mixed Media Performances (2023)
https://www.researchcatalogue.net/profile/show-exposition?exposition=2902290
Adrián Crespo BarbaRite and identity of the cantaor flamenco in my own musical language (2020)
https://www.researchcatalogue.net/profile/show-exposition?exposition=933225
Meric Artac
The sound of a character (2015)
https://www.researchcatalogue.net/profile/show-exposition?exposition=276409
Carmelo Emanuele Patti
Narrative approach in groove-related music (2015)
https://www.researchcatalogue.net/profile/show-exposition?exposition=278288Thomas Böttcher
From Clare Fischer to Olivier Messiaen: Broadening my creative potential as composer / arranger (2016)
https://www.researchcatalogue.net/profile/show-exposition?exposition=335656
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Music Theory
Patrick van der Linden
De ontwikkeling van de muzikale taal van Arnold Schönberg tussen 1899 en 1908 (2014)
https://www.researchcatalogue.net/profile/show-exposition?exposition=276405